Fadwa Rohana: A Sensitive Eye on Palestinian Resilience

Monther Jawabra - Ramallah

A photograph captures a single moment, freezing elements in front of the camera lens. In Palestinian photography, these moments often hold deep historical and social significance, reflecting both the cultural politics and the artistic expression of the region. While Palestinian photographers are gaining international attention, their work is frequently viewed through a political lens, overshadowing the creative value of their artistry. However, many works, like those of Fadwa Rohana, transcend these constraints, offering both aesthetic beauty and profound meaning.

The Timelessness of a Photo: Capturing Emotion and Movement Through Fadwa Rohana's Unique Approach and Philosophical Influences

In the art of Palestinian photography, there’s a special power that comes from capturing a single moment in time. When done well, the moment remains relevant and impactful even as time passes. Fadwa Rohana’s photography exemplifies this unique balance, preserving the emotions and energy of the scenes she captures.

Fadwa Rohana’s photography is more than just a snapshot; it captures movement, emotion, and the underlying energy of the moment. Her photos aren’t just still images—they are alive with the essence of the moment, evoking the same intensity long after they were taken.

Rohana’s work also reflects philosophical concepts, particularly those discussed by Gaston Bachelard. His ideas about the instant and time resonate in her photography, which holds a dynamic tension between the fleeting moment and the passage of time. Her images preserve the power of that single moment.

The Impact of Place on Rohana's Photography: Exploring the Relationship Between People and Places and How Location Influences Perception

Place is a fundamental element in Rohana’s photography. In her work, the location of a photo isn’t just a backdrop—it plays a crucial role in how the image is perceived. This concept becomes even more significant when her photos are set in politically charged locations like Palestine.

Rohana often uses her photography to explore the relationship between people and their surroundings. Her images reflect the emotional weight of the environment, whether it’s an abandoned building or a historic landmark. This creates a strong sense of connection between the viewer, the subject, and the place.

Drawing on philosophical ideas from Immanuel Kant, Rohana’s photography highlights how place influences perception. The location of her photos, particularly in significant sites like Beit Lahem, adds layers of meaning. Her work is not just about the scene itself but about the deeper connection between place, history, and the viewer's emotional response.


Palestinian Photography: Beyond Political Statements and the Intersection of Politics and Art, Challenging Interpretations Through Creative Expression

In Palestine, photography often goes beyond simple aesthetics. It frequently intersects with politics, culture, and identity. Palestinian photography, including Rohana’s work, often serves as a record of resilience, documenting the struggles and survival of a people under occupation.

Palestinian photography is heavily shaped by the political climate, but Rohana’s work combines artistic beauty with powerful political significance. Her photos reflect the hardships of life in Palestine while also capturing the beauty, strength, and resilience of its people.

Rohana’s work challenges the notion that Palestinian photography is limited to political commentary. While politics undeniably play a role, her images also delve into philosophical and cultural themes, pushing the boundaries of how Palestinian photography is perceived both locally and internationally.

The Power of Abandoned Spaces in Palestinian Photography: Capturing Resilience and the Symbolism of Silence and Ruins

One of the recurring themes in Rohana’s photography is the exploration of abandoned spaces. In Palestine, abandoned homes and villages—especially those depopulated in 1948—carry a heavy significance. Rohana’s photographs of these places tell the story of loss, survival, and memory.

Rohana's photographs of abandoned Palestinian homes capture more than just decay—they highlight the resilience of the people who once lived there. The silence in these spaces speaks volumes about the endurance of the Palestinian spirit, and Rohana's technical use of light and shadow amplifies this theme.

Through her use of black and white photography, Rohana emphasizes the stark contrast between what was and what remains. The abandoned ruins become a symbol of both resilience and resistance, with each image telling a story of the past and its lingering impact on the present.


Rohana’s Use of Photography as a Visual Archive: Documenting Cultural Identity and Its Future Interpretation by Generations to Come

Beyond capturing single moments, Rohana’s work also serves as an important visual archive of Palestinian culture and identity. Her photography preserves the daily life, traditions, and emotions of Palestine in a way that can be studied and appreciated by future generations.

Rohana’s images, especially those of everyday life in Palestinian cities like Beit Lahem, provide a snapshot of cultural identity. Her photos of women in traditional clothing, carrying baskets, document the preservation of heritage and national identity, even amid political turmoil.

As a visual archive, Rohana’s photography holds meaning not just for today but for the future. Her photos capture a slice of Palestinian life that may be viewed differently by future generations, allowing them to explore the richness and diversity of Palestinian culture through her lens.

Fadwa Rohana’s photography captures far more than fleeting moments. Her work blends the philosophical exploration of time and place with the emotional depth of human experience, creating powerful, enduring images. By documenting abandoned homes, resilient people, and everyday life in Palestine, Rohana creates a visual archive that preserves the spirit of her homeland. Her photographs not only reflect the past but continue to inspire and resonate, offering a lasting testament to the resilience and beauty of Palestinian culture.

*All photos in this article were provided by the author.

About the Author

Monther Jawabra - Ramallah

A Palestinian visual artist (1976–), originally from the village of Iraq al-Manshiyya, which was depopulated in 1948. He was born in Al-Arroub refugee camp and currently lives and works in Bethlehem. He holds a Bachelor's degree in Fine Arts from An-Najah University in Nablus (2001), a Higher Diploma from Al-Quds University (2017), and a Master's degree in Fine Arts from Dar al-Kalima University in Bethlehem (2024).

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